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Romantic rivalries, lovers' tiffs and personal quarrels lead to offstage shenanigans, onstage bedlam and the occasional attack with a fire axe.In Act Three, we see a performance near the end of the ten-week run, at the (fictional) Municipal Theatre in Stockton-on-Tees.Some new sequences have been added (e.g., an introduction to Act Three, in which Tim, the Company Stage Manager, and Poppy, the Assistant Stage Manager, make simultaneous apologies – the former in front of the curtain, the latter over the PA – for the delay in the performance). References that tend to date the play (such as Mrs.Clackett's to the Brents having colour television) have been eliminated or rewritten.Each of the three acts of Noises Off contains a performance of the first act of a play within a play, a sex farce called Nothing On. Nothing On is the type of play in which young girls run about in their underwear, old men drop their trousers, and many doors continually bang open and shut.The three acts of Noises Off are each named "Act One" on the contents page of the script, though they are labelled normally in the body of the script; and the programme for Noises Off will include, provided by the author, a comprehensive programme for the Weston-super-Mare run of Nothing On, including spoof advertisements (for sardines) and acknowledgements to the providers of mysterious props that do not actually appear (e.g. It is set in "a delightful 16th-century posset mill", modernised by the current owners and available to let while they are abroad; the fictional playwright is appropriately named Robin Housemonger.On 5 October 2000, the National Theatre in London mounted a revival, directed by Jeremy Sams and starring Patricia Hodge, Peter Egan and Aden Gillett, that ran for two years, transferring to the Piccadilly Theatre in the West End on with Lynn Redgrave and Stephen Mangan replacing Hodge and Egan, respectively. The production was nominated for a Tony and Drama Desk Award as Best Revival of a Play, and Finneran was named Best Featured Actress by both groups.
In this act, the play is seen from backstage, providing a view that emphasises the deteriorating relationships between the cast.
The last revision was in 2000 at the request of Jeremy Sams.
There are numerous differences between the 19 scripts.
The name Jeremy Enigk is instantly recognizable to any fan of the early emo scene of the 1990s.
Enigk was the lead singer of early emo-innovators Sunny Day Real Estate.